Nikon D6 Review

Since the announcement of the new Nikon D6, it’s been a long wait till the camera was available in the market. Here in Singapore, we finally received the first batch of Nikon D6. I was very fortunate to be invited by Nikon Singapore to have a hand-on experience with the new camera. 

Like the predecessor D5, the D6 is nothing short of ruggedness of what a professional needs. There is no doubts that the D6 will continue the legacy to produce high quality images under any challenging situation.

The D6 improved its AF into higher-density of 105points from previously D5’s 153 points with the brand new EXPEED 6 image-processing engine. The uncompromising workhorse now equipped with faster image output workflow enhancement and better customisation menu. 

20.8 million

FX, 35.9mm x 23.9mm

14fps

ISO 100 – 102 400

It can also be set below ISO 100 to ISO 50

Extended High ISO can set up to 3 280 000

4K UHD 3840 x 2160, 30/25/24fps

Full HD 1920 x 1080, 60/50/30/25/24fps

Full HD 1920 x 1080 crop, 60/50/30/25/24fps

HD 1280 x 720, 60/50fps

3.2″ , TFT touch-sensitive LCD

EN-EL18c Rechargeable Li-ion Battery

FX format – (L) 5568 x 3712, (M)4176 x 2784, (S)2784 x 1856

DX format – (L)3648 x 2432, (M)2736 x 1824, (S)1824 x 1216

1:2 format (30×20) – (L)4640 x 3088, (M)3472 x 2312, (S)2320 x 1544

5:4 format (30×24) – (L)4640 x 3712, (M)3472 x 2784, (S)2320 x 1856

1:1 format(24×24) – (L)3712 x 3712, (M)2784 x 2784, (S)1856 x 1856

16:9 format (36×20) – (L) 5568 x 3128, (M)4176 x 2344, (S)2784 x 1560

Photo in movie mode – 3840 x 2160, 1920 x 1080, 1280 x 720

FX (36 x 24), 100% coverage

Fastest: 1/8000

Slowest: 900sec

Up to 1/250sec

Auto FP High-speed sync supported

Single-point AF mode

AF-Area Mode – Single-point AF; 9, 25, 49, 105 points dynamic area AF; 3D tracking; group-area AF; group-area AF (C1) and (C2); auto-area AF

Live view – face detection AF, wide-area AF, normal area AF, subject-tracking AF

Type C USB (Super speed USB), type C HDMI, Stereo mini-pin audio input (microphone), Stereo mini-pin output (headphones), Ten pin remote port, WiFi – IEEE 802.11b/g/n (Africa, Asia, and Oceania), Ethernet Connector RJ45 – 1000 Base-T, Peripheral connector WT-6, Bluetooth V4.2, GPS

6.3 in. (160 mm) x 6.5 in. (163 mm) x 3.7 in. (92 mm)

44.8 oz. (1,270 g)

camera body only

Wired ethernet connection is an important tool for professional photographers working under tight timeline who need to upload images fast and reliable. Although the new D6 is using the same 1000 Base-T standard as D5, it has 15% improvement in speed. 

Another good news was the D6 has upgraded its micro B USB to USB C port now. With a faster USB C (SuperSpeed USB 3.1 Gen), you could expected a faster transfer speed via USB. If you are using Camera Control Pro 2.0 software shooting with live view mode and transfer images at the same time to your computer, you will experience faster transfer speed.

Previously on the D5, in order to use the WiFi function you will need a wireless transmitter like WT-6 to work. That will be an extra costs if you need the wireless function.

With the new built-in WiFi now, transfer images wirelessly have never been easier than this. For close range transfer, the built-in WiFi perform flawlessly and the speed was almost on-par with D5 transfer on ethernet connection. For further distance transfer, the WT-6 will still be recommended as it can go up to 200m distance.

The D6 now also integrated bluetooth feature like the D780 and the new Z series camera. The bluetooth will be able to connect to your smart devices like iPhone, android device, tablets, etc to download images and control your camera remotely with the snapbridge app. 

Just like the wireless data transmission, previously in D5 it required an external GPS module to do geotagging. Now in D6, a GPS module is also integrated into the system that’s allow you to geotagging images on the go.

I was really amazed with its GPS performance, it locked on to my geographical location even when the camera was just placed along my window. If you own a Garmin watch or even a smart phone with GPS, you will know that it’s not easy for smart devices to detect GPS location when you are partial indoor. 

On top of that, I also checked the accuracy of the location. When I accessed through Adobe Lightroom map function, the geotagging location was pretty accurate. The overall performance from the GPS was just unbeatable.

Another great advantage of GPS was for the photo agency where they have multiple photographers deployed at an outdoor venue. Their backend photo editor will be able to pick up key images fast by filtering them by geographical location instead to go through all the mixed images sort by time or filename.

Having 2 card slot isn’t something new to the market. What’s new was the enhancement that Nikon made to it. The D6 has added a new mode of [JPEG Slot 1 – JPEG Slot 2], what it does is that slot 1 will record the image quality set via QUAL button and slot 2 will record [JPEG Basic] either medium or small file size. This is very beneficial for photo agency where they mostly shoot jpeg images and need to push out their images fast to their photo editor. Photographers now will be able to send out the medium or small jpeg out first from Slot 2 for publication, if they need higher quality image they still have the high resolution image in Slot 1.

Another improvement was the deleting of image copies when using 2 card slot function. Previously in D5, deleting of images only happened for the selected card slot and the backup image on the other card slot will remains. For D6 on deleting images, you can choose to delete either both copies or only the image on the current card slot.

Time-lapse feature might not be a new feature for Nikon camera but definitely new for their flagship series. For those who only do time-lapse occasionally, this feature is extreme useful and time saving. The in-camera time-lapse feature is able to set the shooting duration and automatically calculate the video output duration for you. On top of that you don’t have to deal with the large amount of raw/jpeg images and stack them up manually into a video. 

The Interval timer shooting mode has added new option mode to create AE bracketing and time-lapse movie. So now you might be thinking what is this time-lapse function different from the other time-lapse which I introduced earlier on. The main different is that in the interval timer shooting mode, the camera will store the raw/jpeg images as well as generating a time-lapse movie at the same time where the other time-lapse feature doesn’t.

AE bracketing also seems to be a new feature which I have not seen before. In AE bracketing mode, the camera create exposure bracketing of each shot captured. 

Focus shift shooting feature was introduced since D850 and finally added to D6 now. There is no doubt that D6 is speed demon in shooting fast action but the D6 now can also shoot product flawlessly too. I showed examples of how focus stacking can level up your game in product photography.

As you can see from the example, if I want shallow depth of field on the background with my ironman in full focus, I won’t be able to do it on a single shot at F1.8. If I shoot with small aperture like F22 just to get the ironman in focus fully, I’ll lost my depth of field(Bokeh).

Focus shift shooting automatically adjust the focal distance from front to the back while retain the depth of field. All the shots will then needed to be stacked manually in photoshop to get the final result.

Following the trend of the mirrorless Z series, the ‘i’ button now is able to set 12 shortcuts for advance customized setting. Some of the useful setting which I set were Wi-Fi connection, autofocus mode, AF-area mode, focus tracking with lock-on, etc. It helps to make quick access to all those settings without toggling deep into the menu. 

This is an interesting feature added in D6 which I love in the enhanced workflow. In Sport event, fast upload of images to the media is critical. With this flick operation feature, it cut down the process for rating images/protect/send to computer where it usually takes 2-4clicks to do it to just one simple flick motion. 

Since the D5, the camera is already equipped with touch screen feature but it could only be used during image playback mode which I rarely use it. The new D6 now is able to use the touch screen function in the menu which is extremely useful when you need to key in alphabet letters in folder naming/copyrights/IPTC functions.

The D6 used the same EN-EL 6 battery as the predecessor D5 with the same battery capacity of 2500mah. What’s interesting was they managed to fine tune the D6 into more energy efficiency even with all the new built-in WiFi and GPS module that could be battery draining.

This was an example of one of the shoot I did with GPS module on, I clocked 1858 with 78% battery life left. On the advertised figure from Nikon website, the battery is able to shoot 8670shots in CH mode. This is double the lifespan of what the D5 can clock on a single battery.

The battery efficiency really impressed me. No brand in the market has been able to clock that much shots per battery capacity like Nikon D6. In the past, my D5 would easily clocked 3000 over shots per battery in one day and that’s more than enough for me to end my day with. With the energy efficiency improvement now, even if you forgot to charge your battery the night before I reckon the battery could still last you for another day shoot.

This is one beneficial feature for photo agency where their photographers often need to setup camera on remote shooting situation or any photographer who need to setup camera remotely. Camera are often left unsecured and prone to theft if not careful. Now the D6 provide a sense of security with the Kensington anti theft lock slot for you to secure the camera at remote area. 

Another advantage was that, during a major sporting event where many photographers with the same remote setup might accidentally mistaken another photographer setup. With the lock in place, they can ensure that they are unlocking the right setup before dismount it to prevent taking the wrong gear.

Andy is a professional photographer based in Singapore. His portfolio is 70% sports, and he has covered both local and overseas international meets. His sports work also won several awards in IPA over the years and has been published in different platforms. In addition to sports, he also shoots underwater photography, automotive, products, interior, etc.